On every table there were daffodils, young, fresh, just out of the garden, with the bloom of spring on them still. On a side table there were lilies, creamy-white with sharp yellow centres. To see this creamy-white and the brilliant yellow of those many daffodils was to see the blue sky, ever expanding, limitless, silent.

Almost all the tables were taken by people talking very loudly and laughing. At a table nearby a woman was surreptitiously feeding her dog with the meat she could not eat. They all seemed to have huge helpings, and it was not a pleasant sight to see people eating; perhaps it may be barbarous to eat publicly. A man across the room had filled himself with wine and meat and was just lighting a big cigar, and a look of beatitude came over his fat face. His equally fat wife lit a cigarette. Both of them appeared to be lost to the world.

And there they were, the yellow daffodils, and nobody seemed to care. They were there for decorative purposes that had no meaning at all; and as you watched them their yellow brilliance filled the noisy room. Colour has this strange effect upon the eye. It wasn't so much that the eye absorbed the colour, as that the colour seemed to fill your being. You were that colour; you didn't become that colour - you were of it, without identification or name: the anonymity which is innocence. Where there is no anonymity there is violence, in all its different forms.